Image MIME Reference
DPX
Digital Picture Exchange
image/dpx
VS
JPEG Stereo Image
image/x-jps
JPS
A complete technical comparison of Digital Picture Exchange and JPEG Stereo Image — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
JPS wins on browser support
Feature Support
| Feature | DPX | JPS |
|---|---|---|
| Transparency (Alpha) | Yes | ✕ No |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | Yes |
| HDR Support | Yes | ✕ No |
| EXIF Metadata | ✕ No | Yes |
| ICC Color Profile | ✕ No | Yes |
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
JPEG Stereo Image
image/x-jps
Extension
.jps
Container
JPEG (JFIF/Exif)
Compression
Lossy (JPEG/DCT)
Algorithm
JPEG (Discrete Cosine Transform)
Color Depth
8-bit (Grayscale), 24-bit (RGB)
Developed by
Stereoscopic Community (Unofficial Standard)
Released
1990
Magic Bytes
FF D8 FF
Browser Support Comparison
| Browser | DPX | JPS |
|---|---|---|
|
|
✕ |
✓ 1
|
|
|
✕ |
✓ 1
|
|
|
✕ |
✓ 1
|
|
|
✕ |
✓ 12
|
|
|
✕ |
✓
|
DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
JPS
JPS Strengths
- 100% backward compatible with every standard 2D image viewer and web browser (which simply display the two halves side-by-side)
- Inherits JPEG's excellent lossy compression, resulting in small file sizes ideal for web transmission
- Extremely easy to generate programmatically by simply stitching two JPEG images side-by-side onto a wider canvas
Limitations
- Lack of a dedicated metadata standard means viewing software has to guess whether the layout is 'cross-eyed' (right eye left, left eye right) or 'parallel' (left eye left, right eye right), occasionally causing inverted depth
- Suffers from JPEG compression artifacts, which can break the stereoscopic illusion if compression noise differs between the left and right eyes
- Superseded in consumer electronics by the MPO (Multi-Picture Object) format, which stacks separate full-resolution JPEGs rather than squishing them side-by-side
When to choose which format
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
JPS
Use JPS when…
- Stereoscopic 3D Photography
- Virtual Reality (VR) Image Galleries
- Cross-eye / Parallel Stereograms