Image MIME Reference
FPX
FlashPix
image/vnd.fpx
VS
JPEG 2000 Codestream
image/j2c
J2C
A complete technical comparison of FlashPix and JPEG 2000 Codestream — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | FPX | J2C |
|---|---|---|
| Transparency (Alpha) | Yes | Yes |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | Yes |
| HDR Support | ✕ No | Yes |
| EXIF Metadata | Yes | ✕ No |
| ICC Color Profile | Yes | ✕ No |
FlashPix
image/vnd.fpx
Extension
.fpx
Container
Microsoft OLE Structured Storage (COM)
Compression
JPEG (Lossy) / Uncompressed / Single-color (Solid)
Algorithm
JPEGNone
Color Depth
8-bit (Grayscale/Indexed), 24-bit (RGB), 32-bit (CMYK/RGBA)
Developed by
Eastman Kodak, Microsoft, Hewlett-Packard, Live Picture
Released
1996
Magic Bytes
D0 CF 11 E0 A1 B1 1A E1
JPEG 2000 Codestream
image/j2c
Extension
.j2c.j2k.jpc
Container
None (Raw Bitstream)
Compression
JPEG 2000 (Discrete Wavelet Transform) / Lossless / Lossy
Algorithm
Discrete Wavelet Transform (DWT)
Color Depth
8-bit, 10-bit, 12-bit, 16-bit (Per Channel)
Developed by
Joint Photographic Experts Group (JPEG)
Released
2000
Magic Bytes
FF 4F FF 51
Browser Support Comparison
| Browser | FPX | J2C |
|---|---|---|
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
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|
✕ | ✕ |
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✕ | ✕ |
FPX
FPX Strengths
- Allowed early, low-RAM computers to view and edit massive, high-resolution digital photos instantly by only loading the needed tiles and resolutions
- Pioneered the multi-resolution pyramid and tiling concepts heavily used today in modern deep-zoom and web mapping applications (like Google Maps)
Limitations
- Completely obsolete and unsupported by modern web browsers or operating systems
- Uses the complex, proprietary Microsoft OLE container format, making it incredibly difficult to parse or extract data from without dedicated legacy libraries
- Prone to being misidentified by MIME sniffers as an old Microsoft Office document
J2C
J2C Strengths
- Provides state-of-the-art wavelet compression for high-end professional workflows (Digital Cinema)
- Allows for highly efficient progressive decoding (by resolution or quality layer) natively within the stream
- Supports lossless mathematical compression and high bit-depths (up to 16-bit per channel) natively
Limitations
- Lacks a standard container to store color space info or metadata, requiring external systems (like MXF or DICOM) to map colors correctly
- Extremely computationally expensive to encode and decode compared to standard DCT-based JPEG
- Zero web browser support
When to choose which format
FPX
Use FPX when…
- Legacy Digital Photography
- Kodak Picture CDs (Historical)
- Early High-Resolution Image Viewers
J2C
Use J2C when…
- Digital Cinema Packages (DCP)
- Medical Imaging (DICOM Payloads)
- Professional Broadcast and Archiving
- Embedded Hardware Encoding