Image MIME Reference
DPX
Digital Picture Exchange
image/dpx
VS
Silicon Graphics Image
image/x-rgb
SGI-RGB
A complete technical comparison of Digital Picture Exchange and Silicon Graphics Image — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | DPX | SGI-RGB |
|---|---|---|
| Transparency (Alpha) | Yes | Yes |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | ✕ No |
| HDR Support | Yes | ✕ No |
| EXIF Metadata | ✕ No | ✕ No |
| ICC Color Profile | ✕ No | ✕ No |
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Silicon Graphics Image
image/x-rgb
Extension
.rgb.sgi.rgba.bw.int.inta
Container
SGI Image Header (512 bytes)
Compression
Uncompressed / Run-Length Encoding (RLE)
Algorithm
NoneScanline RLE
Color Depth
8-bit (Per Channel), 16-bit (Per Channel)
Developed by
Silicon Graphics, Inc. (Paul Haeberli)
Released
1988
Magic Bytes
01 DA
Browser Support Comparison
| Browser | DPX | SGI-RGB |
|---|---|---|
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
SGI-RGB
SGI-RGB Strengths
- Supports 16-bit precision per channel and an embedded alpha channel, making it ideal for the demanding compositing workflows of 1990s cinema VFX
- The scanline-based RLE compression was exceptionally fast to decode on classic MIPS-based SGI workstations
- Features a straightforward 512-byte header, making it relatively easy to parse and write custom decoders in C or Python
Limitations
- Completely obsolete and unsupported in modern web environments
- Replaced entirely by TIFF, OpenEXR, and PNG in modern visual effects and 3D rendering pipelines
- Lacks support for modern color management via ICC profiles or advanced EXIF metadata
When to choose which format
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
SGI-RGB
Use SGI-RGB when…
- Legacy 3D Animation and VFX Textures
- Silicon Graphics IRIX Workstation Archival
- 1990s Medical Imaging