Image MIME Reference
DPX
Digital Picture Exchange
image/dpx
VS
Olympus Raw Format
image/x-olympus-orf
Olympus-ORF
A complete technical comparison of Digital Picture Exchange and Olympus Raw Format — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | DPX | Olympus-ORF |
|---|---|---|
| Transparency (Alpha) | Yes | ✕ No |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | ✕ No |
| HDR Support | Yes | Yes |
| EXIF Metadata | ✕ No | Yes |
| ICC Color Profile | ✕ No | Yes |
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Olympus Raw Format
image/x-olympus-orf
Extension
.orf
Container
TIFF-based (with proprietary variants)
Compression
Uncompressed / Proprietary Lossless
Algorithm
NoneOlympus Proprietary Lossless
Color Depth
12-bit (Per Channel)
Developed by
Olympus Corporation (Now OM Digital Solutions)
Released
2000
Magic Bytes
49 49 52 4F (IIRO) or 4D 4D 4F 52 (MMOR) or 49 49 53 52 (IIRS)
Browser Support Comparison
| Browser | DPX | Olympus-ORF |
|---|---|---|
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DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
Olympus-ORF
Olympus-ORF Strengths
- Retains maximum sensor data, allowing extreme recovery of highlights and shadows that would be permanently lost in a JPEG
- White balance, sharpening, and color profiling are saved as metadata instructions, meaning they can be completely altered in post-production
- Unique magic byte signatures make programmatic file sniffing highly reliable compared to other camera manufacturers' TIFF-spoofing headers
Limitations
- Proprietary format means it requires constant updates to raw processing engines every time a new camera model is released
- Produces very large file sizes (often 15MB to 30MB+ per image depending on sensor resolution)
- Cannot be directly embedded into web pages or used in standard HTML/CSS contexts
When to choose which format
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
Olympus-ORF
Use Olympus-ORF when…
- Professional Digital Photography
- Non-destructive Image Post-Processing
- High Dynamic Range (HDR) Imaging Archival