Image MIME Reference
DPX
Digital Picture Exchange
image/dpx
VS
Minolta Raw Image
image/x-minolta-mrw
Minolta-MRW
A complete technical comparison of Digital Picture Exchange and Minolta Raw Image — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | DPX | Minolta-MRW |
|---|---|---|
| Transparency (Alpha) | Yes | ✕ No |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | ✕ No |
| HDR Support | Yes | Yes |
| EXIF Metadata | ✕ No | Yes |
| ICC Color Profile | ✕ No | Yes |
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Minolta Raw Image
image/x-minolta-mrw
Extension
.mrw
Container
Proprietary MRW Container
Compression
Uncompressed / Proprietary Lossless
Algorithm
NoneProprietary Lossless
Color Depth
12-bit (Per Channel)
Developed by
Minolta (later Konica Minolta)
Released
2001
Magic Bytes
00 4D 52 4D
Browser Support Comparison
| Browser | DPX | Minolta-MRW |
|---|---|---|
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
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✕ | ✕ |
DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
Minolta-MRW
Minolta-MRW Strengths
- Retains full, unadulterated sensor data from early CCD digital cameras, allowing modern demosaicing algorithms to extract far superior image quality than what was possible when the cameras were released
- Possesses a very distinct, unambiguous magic header (\x00MRM), making programmatic identification completely foolproof
Limitations
- Completely obsolete proprietary format that has not seen a new camera release since 2006
- Cannot be natively viewed in web browsers or standard operating system image viewers without specialized decoders
- Relies entirely on open-source reverse engineering (like LibRaw) for continued modern software compatibility
When to choose which format
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
Minolta-MRW
Use Minolta-MRW when…
- Vintage Digital Photography (Konica Minolta DiMAGE / Maxxum)
- Raw Imaging Archival
- Historical Camera Sensor Research