Free webp to jpg
Image MIME Reference
DPX

Digital Picture Exchange

image/dpx
VS

Minolta Raw Image

image/x-minolta-mrw
Minolta-MRW

A complete technical comparison of Digital Picture Exchange and Minolta Raw Image — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.

Equal browser support

Feature Support

Feature DPX Minolta-MRW
Transparency (Alpha) Yes ✕ No
Animation Support ✕ No ✕ No
Progressive Loading ✕ No ✕ No
HDR Support Yes Yes
EXIF Metadata ✕ No Yes
ICC Color Profile ✕ No Yes
Digital Picture Exchange
image/dpx
Extension
.dpx
Container DPX (SMPTE ST 268)
Compression Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth 8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by SMPTE (Society of Motion Picture and Television Engineers)
Released 1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Full DPX reference →
Minolta Raw Image
image/x-minolta-mrw
Extension
.mrw
Container Proprietary MRW Container
Compression Uncompressed / Proprietary Lossless
Algorithm
NoneProprietary Lossless
Color Depth 12-bit (Per Channel)
Developed by Minolta (later Konica Minolta)
Released 2001
Magic Bytes
00 4D 52 4D
Full Minolta-MRW reference →

Browser Support Comparison

Browser DPX Minolta-MRW
Chrome Chrome
Firefox Firefox
Safari Safari
Edge Edge
IE IE (Legacy)
DPX

DPX Strengths

  • Industry standard for transferring uncompressed, high-fidelity film and VFX data
  • Rich industry-specific metadata including timecode, keykode, and film stock information
  • Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
  • Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
  • Zero native support in web browsers or consumer OS image viewers
  • Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
Minolta-MRW

Minolta-MRW Strengths

  • Retains full, unadulterated sensor data from early CCD digital cameras, allowing modern demosaicing algorithms to extract far superior image quality than what was possible when the cameras were released
  • Possesses a very distinct, unambiguous magic header (\x00MRM), making programmatic identification completely foolproof
Limitations
  • Completely obsolete proprietary format that has not seen a new camera release since 2006
  • Cannot be natively viewed in web browsers or standard operating system image viewers without specialized decoders
  • Relies entirely on open-source reverse engineering (like LibRaw) for continued modern software compatibility

When to choose which format

DPX
Use DPX when…
  • Film Scanning
  • Visual Effects (VFX)
  • Digital Intermediate (DI)
  • Color Grading
  • Archival
Minolta-MRW
Use Minolta-MRW when…
  • Vintage Digital Photography (Konica Minolta DiMAGE / Maxxum)
  • Raw Imaging Archival
  • Historical Camera Sensor Research
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