Image MIME Reference
DPX
Digital Picture Exchange
image/dpx
VS
Fujifilm RAW Image
image/x-fuji-raf
Fuji-RAF
A complete technical comparison of Digital Picture Exchange and Fujifilm RAW Image — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | DPX | Fuji-RAF |
|---|---|---|
| Transparency (Alpha) | Yes | ✕ No |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | ✕ No |
| HDR Support | Yes | Yes |
| EXIF Metadata | ✕ No | Yes |
| ICC Color Profile | ✕ No | Yes |
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Fujifilm RAW Image
image/x-fuji-raf
Extension
.raf
Container
Proprietary RAF Container
Compression
Uncompressed / Lossless Compressed / Lossy Compressed (Modern firmware)
Algorithm
NoneProprietary LosslessProprietary Lossy
Color Depth
14-bit (Per Channel - X-Series), 16-bit (Per Channel - GFX Series)
Developed by
Fujifilm Corporation
Released
2000
Magic Bytes
46 55 4A 49 46 49 4C 4D 43 43 44 2D 52 41 57 20
Browser Support Comparison
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|---|---|---|
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DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
Fuji-RAF
Fuji-RAF Strengths
- Retains absolute maximum sensor data, enabling massive shadow recovery and highlight protection compared to compressed in-camera JPEGs
- Stores proprietary Fujifilm Film Simulation metadata (like Classic Chrome or Acros), allowing editors to perfectly replicate in-camera aesthetics
- Very distinct and reliable magic header makes programmatic file detection foolproof
Limitations
- Proprietary format requires continuous updates to third-party software (like Lightroom) whenever Fujifilm releases a new camera
- The X-Trans sensor matrix requires highly specialized demosaicing algorithms that are extremely computationally expensive, leading to slower import and rendering times
- Completely unsupported in standard web browsers and basic operating system image viewers
When to choose which format
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
Fuji-RAF
Use Fuji-RAF when…
- Professional Digital Photography
- Fujifilm X-Trans Sensor Image Archival
- High Dynamic Range (HDR) Post-Processing