Free webp to jpg
Image MIME Reference
Alias-PIX

Alias PIX Image

image/x-alias-pix
VS

Digital Picture Exchange

image/dpx
DPX

A complete technical comparison of Alias PIX Image and Digital Picture Exchange — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.

Equal browser support

Feature Support

Feature Alias-PIX DPX
Transparency (Alpha) ✕ No Yes
Animation Support ✕ No ✕ No
Progressive Loading ✕ No ✕ No
HDR Support ✕ No Yes
EXIF Metadata ✕ No ✕ No
ICC Color Profile ✕ No ✕ No
Alias PIX Image
image/x-alias-pix
Extension
.pix.als.alias.img
Container Alias PIX Header
Compression Run-Length Encoding (RLE)
Algorithm
RLE
Color Depth 24-bit (RGB), 8-bit (Matte/Grayscale variant)
Developed by Alias Research (Later Alias|Wavefront / Autodesk)
Released Early 1990s
Magic Bytes
No explicit magic bytes (Relies on 10-byte integer header)
Full Alias-PIX reference →
Digital Picture Exchange
image/dpx
Extension
.dpx
Container DPX (SMPTE ST 268)
Compression Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth 8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by SMPTE (Society of Motion Picture and Television Engineers)
Released 1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Full DPX reference →

Browser Support Comparison

Browser Alias-PIX DPX
Chrome Chrome
Firefox Firefox
Safari Safari
Edge Edge
IE IE (Legacy)
Alias-PIX

Alias-PIX Strengths

  • The highly simplified structure made it incredibly fast to encode and decode on early 1990s SGI hardware
  • Lossless Run-Length Encoding (RLE) saved disk space without degrading the quality of final 3D renders
Limitations
  • Completely obsolete, having been replaced by more robust formats like TIFF, TGA, and EXR in modern 3D pipelines
  • The lack of a distinct magic byte signature makes reliable automated file detection almost impossible
  • Does not support integrated alpha channels, instead requiring cumbersome, separate 'Matte' files to denote transparency
DPX

DPX Strengths

  • Industry standard for transferring uncompressed, high-fidelity film and VFX data
  • Rich industry-specific metadata including timecode, keykode, and film stock information
  • Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
  • Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
  • Zero native support in web browsers or consumer OS image viewers
  • Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time

When to choose which format

Alias-PIX
Use Alias-PIX when…
  • Legacy Alias PowerAnimator Textures
  • 1990s SGI Workstation Render Outputs
  • Historical 3D Graphics Archival
DPX
Use DPX when…
  • Film Scanning
  • Visual Effects (VFX)
  • Digital Intermediate (DI)
  • Color Grading
  • Archival
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