Image MIME Reference
ACES
ACES Image Container File
image/aces
VS
Digital Picture Exchange
image/dpx
DPX
A complete technical comparison of ACES Image Container File and Digital Picture Exchange — covering compression, feature support, browser compatibility, magic bytes, and when to choose each format.
Equal browser support
Feature Support
| Feature | ACES | DPX |
|---|---|---|
| Transparency (Alpha) | Yes | Yes |
| Animation Support | ✕ No | ✕ No |
| Progressive Loading | ✕ No | ✕ No |
| HDR Support | Yes | Yes |
| EXIF Metadata | ✕ No | ✕ No |
| ICC Color Profile | ✕ No | ✕ No |
ACES Image Container File
image/aces
Extension
.exr
Container
OpenEXR (SMPTE ST 2065-4)
Compression
Lossless / Uncompressed
Algorithm
PIZZIPRLEB44Uncompressed
Color Depth
16-bit (Half-float), 32-bit (Float)
Developed by
Academy of Motion Picture Arts and Sciences (AMPAS) / SMPTE
Released
2013
Magic Bytes
76 2F 31 01
Digital Picture Exchange
image/dpx
Extension
.dpx
Container
DPX (SMPTE ST 268)
Compression
Uncompressed / RLE (Rarely used)
Algorithm
Uncompressed
Color Depth
8-bit, 10-bit, 12-bit, 16-bit, 32-bit (Float)
Developed by
SMPTE (Society of Motion Picture and Television Engineers)
Released
1994
Magic Bytes
53 44 50 58 (Big-endian) / 58 50 44 53 (Little-endian)
Browser Support Comparison
| Browser | ACES | DPX |
|---|---|---|
Chrome
|
✕ | ✕ |
Firefox
|
✕ | ✕ |
Safari
|
✕ | ✕ |
Edge
|
✕ | ✕ |
IE (Legacy)
|
✕ | ✕ |
ACES
ACES Strengths
- Industry standard for high-end visual effects, compositing, and color grading
- Supports 16-bit half-float data, accurately capturing immense dynamic range without clipping
- Standardized by SMPTE (ST 2065-4) to guarantee universal color interoperability across different post-production facilities
Limitations
- Considerably larger file sizes than conventional consumer image formats
- Completely unsupported in web browsers and most standard desktop viewers
- Requires specialized compositing or color grading software to interpret and view the scene-linear data correctly
DPX
DPX Strengths
- Industry standard for transferring uncompressed, high-fidelity film and VFX data
- Rich industry-specific metadata including timecode, keykode, and film stock information
- Supports logarithmic color spaces (LogC, Cineon) to preserve the massive dynamic range of film negatives
Limitations
- Massive file sizes (e.g., a single 4K 10-bit frame is ~50MB, resulting in ~1.2GB per second at 24fps)
- Zero native support in web browsers or consumer OS image viewers
- Requires heavy-duty, fast storage infrastructure (RAID/NVMe) to playback in real-time
When to choose which format
ACES
Use ACES when…
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival
DPX
Use DPX when…
- Film Scanning
- Visual Effects (VFX)
- Digital Intermediate (DI)
- Color Grading
- Archival